thepaintedword:

James Welling, H7, 2006. Digital chromogenic print. 37 ½ x 54 in.

thepaintedword:

James Welling, H7, 2006. Digital chromogenic print. 37 ½ x 54 in.

(via thepaintedwrd)

shiborilover:

Ruined Polaroids by William Miller

Inspiration

(Source: bechno, via floralfinch)

cavetocanvas:

French Chris on the Convertible, NYC - Nan Goldin, 1979
From the Heilbrunn Timeline of Art History:

Following in the tradition of Robert Frank and Helen Levitt, Goldin is her generation’s greatest practitioner of the “snapshot aesthetic” in photography—the intimate, diaristic mode that yields images that, in the right hands, are both spontaneous and carefully seen, tossed off and irreducibly right. In this early work, the artist has captured her friend as a Chatterton of the Lower East Side, lying across the back of a blue convertible with shirt open, eyes closed, and an empty can of Schaeffer beer by his side instead of arsenic—a contemporary vision of glamorous surrender for our own time.

cavetocanvas:

French Chris on the Convertible, NYC - Nan Goldin, 1979

From the Heilbrunn Timeline of Art History:

Following in the tradition of Robert Frank and Helen Levitt, Goldin is her generation’s greatest practitioner of the “snapshot aesthetic” in photography—the intimate, diaristic mode that yields images that, in the right hands, are both spontaneous and carefully seen, tossed off and irreducibly right. In this early work, the artist has captured her friend as a Chatterton of the Lower East Side, lying across the back of a blue convertible with shirt open, eyes closed, and an empty can of Schaeffer beer by his side instead of arsenic—a contemporary vision of glamorous surrender for our own time.

ruthlesspareja:

Bill Henson.

ruthlesspareja:

Bill Henson.

(via sarasart)

sarasart:

SKIN TONES. 
ruthlesspareja:

Bill Henson.

sarasart:

SKIN TONES. 

ruthlesspareja:

Bill Henson.