Lustmord (1993-1994), Jenny Holzer

Lustmord (1993-1994), Jenny Holzer

(via diorling)

cavetocanvas:

Jenny Holzer, from Inflammatory Essays, 1979-82

cavetocanvas:

Jenny Holzer, from Inflammatory Essays, 1979-82

cavetocanvas:

Jenny Holzer, from the Living Series, 1980-82
From MoMA:

Since the late 1970s Holzer has used text as her primary artistic vehicle. Many works have had a public presence; her pithy, ironic, and often disturbing statements have been presented on posters, T-shirts, baseball caps, and a flashing screen in Times Square, New York. In the Living series, she has adopted the bronze plaque in order “to have the look of a voice of authority, of the establishment,” she has said.

cavetocanvas:

Jenny Holzer, from the Living Series, 1980-82

From MoMA:

Since the late 1970s Holzer has used text as her primary artistic vehicle. Many works have had a public presence; her pithy, ironic, and often disturbing statements have been presented on posters, T-shirts, baseball caps, and a flashing screen in Times Square, New York. In the Living series, she has adopted the bronze plaque in order “to have the look of a voice of authority, of the establishment,” she has said.

artistandstudio:

Ed Ruscha notebook
“Good art should elicit a response of ‘Huh? Wow!’ as opposed to ‘Wow! Huh?’ 
              ~  Edward Ruscha

this is so awesome.

artistandstudio:

Ed Ruscha notebook

“Good art should elicit a response of ‘Huh? Wow!’ as opposed to ‘Wow! Huh?’ 

              ~  Edward Ruscha

this is so awesome.

magnificentruin:

Amalia PicaDetail, Incomplete Archive of Record Cards (80, 81, 97, 105)2011Watercolor, pencil, ink on paper

magnificentruin:

Amalia Pica
Detail, Incomplete Archive of Record Cards (80, 81, 97, 105)
2011
Watercolor, pencil, ink on paper

(via stygnie)



YOUR OLDEST FEARS ARE THE WORST ONES
Jenny Holzer / NYC, 1982


YOUR OLDEST FEARS ARE THE WORST ONES

Jenny Holzer / NYC, 1982

(Source: bbook, via stygnie)